Let the Right One in
Tomas Alfredson's adaptation of novelist John Ajvide Lindqvist's Swedish best-seller "Let the Right One In" depicts slaughter, death, and dismemberment as though sprung from the stanzas of Robert Frost. This is hardly the first film to drench teen angst and burgeoning sexuality in supernatural bloodletting (De Palma's "Carrie," Romero's "Martin," and, more recently, John Fawcett's "Ginger Snaps" equate, respectively, telekinesis, vampirism, and lupine transformation with pubescent turmoil), but Alfredson sets his film apart with a memorably stringent (dare I say, Scandinavian) visual design.
No comments:
Post a Comment